Matthew Lipman, viola
As one of the world’s leading young violists, 26-year-old American Matthew Lipman has been hailed by the New York Times for his “rich tone and elegant phrasing” and by the Chicago Tribune for his “splendid technique and musical sensitivity.” The recipient of a prestigious 2015 Avery Fisher Career Grant, he has appeared as soloist with the Minnesota, Illinois Philharmonic, Grand Rapids Symphony, Wisconsin Chamber, Juilliard, Ars Viva Symphony, and Montgomery Symphony orchestras, with the Chamber Music Society of Lincoln Center in Alice Tully Hall, and in recital at the WQXR Greene Space in New York City and the Phillips Collection in Washington, DC. His debut solo album “Ascent” that includes a world premiere by Brazilian composer Clarice Assad and Waxman’s Carmen Fantasy played for the first time on viola is being released by Cedille Records, coinciding with a Lincoln Center recital debut in Fall 2018. The Telegraph praised Mr. Lipman as “gifted with poise and a warmth of timbre” on his Avie recording of Mozart’s Sinfonia Concertante with violinist Rachel Barton Pine and the Academy of St Martin in the Fields with the preeminent Mozart scholar Sir Neville Marriner, which topped the Billboard charts. He was the only violist featured on WFMT Chicago’s list of “30 Under 30” of the world’s top classical musicians and has been profiled by The Strad and BBC Music magazines. Mr. Lipman performs internationally as a chamber musician with the Chamber Music Society of Lincoln Center, and regularly at the prominent Music@Menlo, Marlboro, Ravinia, Bridgehampton, Seattle, Cleveland, and Valery Gergiev’s White Nights festivals. A top prizewinner of the Primrose, Tertis, Washington, Johansen, and Stulberg International Viola Competitions, he received his bachelor’s and master’s degrees as an inaugural Kovner fellow from The Juilliard School as a student of Heidi Castleman, and was further mentored by Tabea Zimmermann at the Kronberg Academy. A native of Chicago, Mr. Lipman is on faculty at Stony Brook University and performs on a fine 1700 Matteo Goffriller viola loaned through the generous efforts of the RBP Foundation.