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ANTON RIST, CLARINET Anton Rist was appointed Principal Clarinetist of the Metropolitan Opera Orchestra in 2016. He previously held principal positions with the Princeton and New Haven Symphony Orchestras. In addition, he has performed with the St. Paul Chamber Orchestra, the Grant Park Festival Orchestra, the Orchestra of St. Luke’s, the Louisiana Philharmonic, the American Ballet Theater, and on several Broadway productions. Rist toured Japan with the New York Symphonic Ensemble, and has performed as a chamber musician throughout Europe and Asia. As a soloist, he has performed with the Mainly Mozart Festival of Orchestras, the Cheyenne Symphony, the Knoxville Symphony, and the Sullivan County Chamber Orchestra. In addition, he has appeared at Festival Mozaic, the St. Barts Music Festival, Bravo!Vail, and is a founding member of the Montserrat Music Festival in the West Indies.

FRIEDRICH HEINRICH KERN, GLASS HARMONICA Friedrich Heinrich Kern is a German composer, pianist, and glass harmonica player based in New York City. He has made widely-praised appearances as a performer and composer in the United States, Europe, the Middle East and Asia. FHKern’s work is dedicated to exploring wistful, unfolding soundscapes and discovering the realms between dreams and consciousness. He moves freely between the worlds of electronic and acoustic music, unwilling to be limited by boundaries, languages, and any barriers between them. One of the few professional glass harmonica soloists worldwide, he plays the only existing modern version of the glass harmonica in North America, the Verrophone. FHKern began his studies in his home country of Germany where he earned degrees in both piano and composition. He then traveled to Korea studying traditional Korean music. He combines his contemporary classical background with a refined pop sensibility to create ethereal compositions with modern electronic vibes. In addition to his solo and ensemble performances, he has composed works for acoustic and electronic instrumentations, ranging from solo piano to full orchestra. Musical connections shape his ideas and genius. His latest collaboration is ‘The New Paganini Project’ with Niklas Liepe (Sony Classical, 2018), and his solo recordings are released on M=Maximal. FHKern currently performs live in Europe and North America on his spellbinding ‘The Evolution of Silence’ tour. He is a member of German glass music ensemble sinfonia di vetro.

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2008-2009 ARTIST ROSTER Howard Alden, guitar David Chan, violin Mary Hammann, viola Ken Noda, piano Bucky PIzzarelli, guitar Elizabeth Roe, piano Frank Vignola, guitar Greg Anderson, piano Rafael Figueroa, cello Yoon Kwon, violin Joel Noyes, cello Morris Robinson, bass John Novacek, piano Nancy Allen, harp Katherine Fong, violin Jon Manasse, clarinet Elmar Oliviera, violin Catherine Ro, violin Lucy Shelton, soprano

SHARON ISBIN, GUITAR Acclaimed for her extraordinary lyricism, technique, and versatility, multiple Grammy Award winner Sharon Isbin has been hailed as “the preeminent guitarist of our time.” She is also the winner of Guitar Player magazine’s “Best Classical Guitarist” award, and the Toronto and Madrid Queen Sofia competitions, and was the first guitarist ever to win the Munich Competition. She has appeared as soloist with over 170 orchestras and has given sold-out performances in the world’s finest halls, including New York’s Carnegie and Avery Fisher Halls, Boston’s Symphony Hall, Washington, D.C.’s Kennedy Center, London’s Barbican and Wigmore Halls, Amsterdam’s Concertgebouw, Paris’ Châtelet, Vienna’s Musikverein, Munich’s Herkulessaal, Madrid’s Teatro Real, and many others. She has served as Artistic Director/Soloist of festivals she created for Carnegie Hall and the Ordway Music Theatre (St. Paul), her own series at New York’s 92nd Street Y, and the acclaimed national radio series Guitarjam. She is a frequent guest on national radio programs including All Things Considered and Garrison Keillor’s A Prairie Home Companion. She has been profiled on television throughout the world, including CBS Sunday Morning and A&E. She was a featured guest on Showtime Television’s hit series The L Word, and was the only classical artist to perform in the 2010 Grammy Awards. She performed as featured soloist on the soundtrack for Martin Scorsese’s Academy Award winning film, The Departed. Among her other career highlights, she performed at Ground Zero on September 11, 2002, for the internationally televised memorial, and in concert at the White House for President and Mrs. Obama in November 2009. She has been profiled in periodicals from People to Elle, The Wall Street Journal, and The New York Times, as well as on the cover of over 45 magazines. A one-hour documentary on her titled Sharon Isbin: Troubadour, produced by Susan Dangel, premieres in 2014. Ms. Isbin’s catalogue of over 25 recordings—from baroque, Spanish/Latin, and 20th century to crossover and jazz-fusion—reflects remarkable versatility. Her latest recording, Sharon Isbin & Friends: Guitar Passions (Sony) became a #1 bestseller on Amazon.com, and includes guest rock/jazz guitarists Steve Vai, Steve Morse, Nancy Wilson (Heart), Stanley Jordan, and Romero Lubambo. Her 2010 Grammy Award winning CD Journey to the New World includes guests Joan Baez and Mark O’Connor. Ranked as a #1 bestselling classical CD on Amazon.com and iTunes, it spent 63 consecutive weeks on the top Billboard charts. Her Dreams of a Worldsoared onto top classical Billboard charts, edging out The 3 Tenors, and earned her a 2001 Grammy for “Best Instrumental Soloist Performance,” making her the first classical guitarist to receive a Grammy in 28 years. Her world premiere recording of concerti written for her by Christopher Rouse and Tan Dun received a 2002 Grammy, as well as Germany’s prestigious Echo Klassik Award. She received a 2005 Latin Grammy nomination for “Best Classical Album” and a 2006 GLAAD Media Award nomination for “Outstanding Music Artist” (alongside Melissa Etheridge) for her Billboard Top 10 Classical disc with the New York Philharmonic of Joaquin Rodrigo’s Concierto de Aranjuez, and concerti by Ponce and Villa-Lobos. This marked the Philharmonic’s first-ever recording with guitar, and followed their Avery Fisher Hall performances with Ms. Isbin as their first guitar soloist in 26 years.Baroque Favorites for Guitar with the Zurich Chamber Orchestra remained on the Billboard Top 10 for 16 weeks, and her Journey to the Amazon with Brazilian percussionist Thiago de Mello and saxophonist Paul Winter, a bestseller in the U.S. and the U.K., received a 1999 Grammy nomination for “Best Classical Crossover Album.” She is also featured on Howard Shore’s 2008 Grammy-nominated soundtrack CD for The Departed. Her other CDs include Artist Profile, Wayfaring Stranger with mezzo-soprano Susanne Mentzer, Greatest Hits (EMI), and Aaron Jay Kernis’ Double Concerto with violinist Cho-Liang Lin and the Saint Paul Chamber Orchestra (SPCO), which received a 2000 Grammy nomination. Her eight best-selling titles for EMI include J.S. Bach Complete Lute Suites and concerti by Joaquin Rodrigo which the composer praised as “magnificent.” She is also featured on the Grammy Foundation’s Smart Symphonies CD distributed to over five million families. Her recordings have received many other awards, including “Critic’s Choice Recording of the Year” in bothGramophone and CD Review, “Recording of the Month” in Stereo Review, and “Album of the Year” in Guitar Player. Sharon Isbin has been acclaimed for expanding the guitar repertoire with some of the finest new works of the century. She has commissioned and premiered more concerti than any other guitarist, as well as numerous solo and chamber works. Her American Landscapes (EMI) is the first-ever recording of American guitar concerti and features works written for her by John Corigliano, Joseph Schwantner and Lukas Foss. (In November 1995, it was launched in the space shuttle Atlantis and presented to Russian cosmonauts during a rendezvous with Mir.) In January 2000, she premiered the ninth concerto written for her: Concert de Gaudí by Christopher Rouse with Christoph Eschenbach and the NDR Symphony, followed by the U.S. premiere with the Dallas Symphony. Among the many other composers who have written for her are Joan Tower, David Diamond, Aaron Jay Kernis, Leo Brouwer, Howard Shore, Steve Vai, and Ned Rorem. In 2003, she premiered John Duarte’s Joan Baez Suite, and in 2005 she premiered a duo by rock guitarist Steve Vai in their joint concert in Paris’ Théâtre du Châtelet. Upcoming premieres in 2015 include a work for guitar and orchestra by Chris Brubeck. Orchestra (throughout Austria including Vienna’s Musikverein) and Belgium’s Philharmonique de Liege, recitals and concerti in New York’s 92nd St Y and Carnegie Hall, Washington, D.C.’s Kennedy Center, a week of performances at the Théâtre du Châtelet in Paris, Filarmonica Toscanini in Milan, MIDEM Classical Awards in Cannes, and an Ms. Isbin’s recent highlights include tours with the Zurich Chamber Orchestra, Tonkünstler 18-city Guitar Passions tour with Stanley Jordan and Romero Lubambo in 2014. Ms. Isbin has toured Europe annually since she was seventeen, and appears as soloist with orchestras throughout the world, including the New York Philharmonic, National Symphony, Baltimore, Detroit, Houston, Dallas, Pittsburgh, Minnesota, St. Louis, Nashville, New Jersey, Louisville, Indianapolis, Milwaukee, Phoenix, Buffalo, and Utah Symphonies; Saint Paul, Los Angeles, Zurich, Scottish, and Lausanne Chamber Orchestras; the London Symphony, Orchestre National de France; and BBC Scottish, Lisbon Gulbenkian, Prague, Milan Verdi, Mexico City, Jerusalem, and Tokyo Symphonies. Her festival appearances include Mostly Mozart, Aspen, Ravinia, Grant Park, Interlochen, Santa Fe, Mexico City, Bermuda, Hong Kong, Montreux, Strasbourg, Paris, Athens, Istanbul, Ravenna, Prague, and Budapest International Festivals. As a chamber musician, Ms. Isbin has performed with the Emerson String Quartet; the Chamber Music Society of Lincoln Center; a “Guitar Summit” tour with jazz greats Herb Ellis, Stanley Jordan and Michael Hedges; trio recordings with Larry Coryell and Laurindo Almeida; and duo recordings with Carlos Barbosa-Lima. She collaborated with Antonio Carlos Jobim, and has shared the stage with luminaries from Aretha Franklin to Muhammad Ali. Born in Minneapolis, Sharon Isbin began her guitar studies at age nine in Italy, and later studied with Andrès Segovia and Oscar Ghiglia. A former student of Rosalyn Tureck, Ms. Isbin collaborated with the noted keyboardist in preparing landmark first performance editions of the Bach lute suites for guitar (published by G. Schirmer). She received a B.A. cum laude from Yale University and a Master of Music from the Yale School of Music. She is the author of the Classical Guitar Answer Book, and is Director of guitar departments at the Aspen Music Festival and The Juilliard School (which she created in 1989, becoming the first and only guitar instructor in the institution’s 100-year history). In her spare time, Ms. Isbin enjoys trekking in the jungles of Latin America, cross-country skiing, snorkeling, and mountain hiking.

DR. GARETH ICENOGLE, NARRATOR Dr. Gareth Icenogle became the Senior Pastor of West Side Presbyterian Church in February, 2009. He has degrees in ministry from Fuller Theological Seminary in Pasadena, CA, and music degrees from the University of California, Riverside, and California State University of Los Angeles. His masters degrees are in music (voice and composition) and divinity, and his doctorate is in ministry, with a focus on spiritual formation and discipleship. He has written an internationally used textbook on the theology, purposes, and dynamics of faith formation through small groups. Gareth comes to West Side from the National Presbyterian Church in Washington, DC, where he served as Senior Pastor from 2004 to 2008. Before that he served First Presbyterian Church of Bethlehem, PA, as Senior Pastor and Co-Senior Pastor for 14 years. Previously he was the Director of the Doctor of Ministry program at Fuller Seminary. Both natives of southern California, Gareth and his wife, Vida Smith, have been married for 36 years. They have two daughters, Tamara, 29, and Tonya, 26.

September 23, 2018: Arnaud Sussmann, solo violin; Michael Brown, piano; Sean Lee, violin; Emily Smith, violin; Matt Lipman, viola; Nick Canellakis, cello ERNEST CHAUSSON (1855-1899) Concert for Violin, Piano, and String Quartet in D major, op. 21 September 23, 2018: Arnaud Sussmann, solo violin; Michael Brown, piano; Sean Lee, violin; Emily Smith, violin; Matt Lipman, viola; Nick Canellakis, cello Chausson is one of an illustrious group of composers who initially studied to be something else. Berlioz studied medicine, Vivaldi trained for the priesthood, Telemann, Rameau, Handel, Schumann, Tchaikovsky, and Stravinsky all studied law, and so on. Chausson had to earn a law degree and license to satisfy his father. He had, nonetheless, been nurtured in music, painting, and literature by his wealthy parents and by the tutor they engaged for him, and he became acquainted with many of the most important artists of the day. He was twenty-five by the time he had finished his law studies and decided that of all the arts, music attracted him most. He then entered the Paris Conservatory, where César Franck became his most influential teacher. Because of his late start and untimely death at forty-four from a bicycle accident, Chausson had only a short composing career. His achievements were notable, however; his most successful compositions are probably his Poème for violin and orchestra, various songs, and the present Concert, op. 21. Written between 1889 and 1891, the Concert is unique in the chamber music repertoire—scored for solo piano and violin with string quartet. Chausson entitled it Concert (French for concerto) rather than “Sextet,” but it lies somewhere between a double concerto, in which the two solo instruments are pitted against an entire orchestra, and a sextet, in which all the instruments are more or less equal. The opening three-note motive of the introduction is the germinating cell of the first movement, which unfolds in full-fledged Romantic sonata form. The second movement is a brief intimate Sicilienne in A minor. The composer Vincent d’Indy, who arranged for the work’s premiere, described it as like “the gardens where bloom the charming fancies of a Gabriel Fauré.” Chausson is at his most brooding and chromatic in the third movement marked Grave. D’Indy remarked that the finale is “somewhat oddly conceived, and partakes rather of the nature of variation form than of one of the forms regularly employed in the sonata.” Yet it is like a rondo in many respects: the animated main theme regularly returns (albeit varied), and material of episodic nature intervenes, including material from the previous movements (second theme of the Grave). Franck’s influence on Chausson surfaces in the work’s cyclical form, modulatory procedures, and expressive lyricism. The Concert is dedicated, as is the Poème, to Eugène Ysaÿe, who played the solo violin part in the premiere in Brussels on March 4, 1892. The Crickboom Quartet played the remaining string parts, and Auguste Pierret was the pianist who saved the day when the originally scheduled pianist suddenly returned the score as too difficult. (Chausson dedicated his next chamber work, the Piano Quartet, op. 30, to Pierret in gratitude for his fine performance.) Chausson, a composer continually plagued by self doubt, was thrilled at the instant success of the Concert, which now occupies a permanent place in the chamber music repertoire. © Jane Vial Jaffe Return to Parlance Program Notes

YOON KWON, VIOLIN Described by Dorothy DeLay as a violinist with “staggering imagination” and “one of the most expressive tones I’ve ever heard”, violinist Yoon Kwon’s compelling musicianship and dynamic stage presence have won the hearts of audiences around the world. Her performances have earned her critical acclaim across four continents, garnering remarks such as “magic that transcends mere pyrotechnical flash”, “infinitely beautiful sound… holding an audience spellbound”, and “utterly assured and carefree…a talent that kept us enchanted throughout”. Yoon Kwon began her professional career in 1993 as a thirteen-year-old, youngest winner in the history of the New Jersey Symphony Young Artists Auditions joining the roster of IMG Artists, alongside such artists as Itzhak Perlman and Joshua Bell. She has since concertized extensively as soloist with major orchestras and in recitals and chamber music appearances with distinguished musicians. Today, still only in her mid-twenties, Yoon Kwon is a seasoned artist with a remarkable and excitingly versatile career. In addition to her solo appearances, she is currently the youngest first violinist of the Metropolitan Opera Orchestra, a member of the Lincoln Center Chamber Music Society Two, and the lead violinist of her own jazz ensemble, Emergence, appearing regularly in New York City’s jazz clubs. As soloist, Ms. Kwon has appeared abroad with such orchestras as the Cologne Philharmonic, Warsaw Philharmonic, (it’s 100th season opening gala) Orquesta Sinfonica de Teatro Colon (Argentina), Euro-Asian Philharmonic, Vancouver Symphony, Istanbul State Symphony, and the Mexico State Symphony Orchestra, to name a few. Her numerous US appearances include performances with the symphonies of Cincinnati, Chicago, Colorado, Greenville, Houston, Honolulu, Phoenix, New Jersey, New Mexico, New York, St. Louis, and Wichita, and others. Among the conductors she has collaborated with are James Conlon, Lawrence Foster, Sergiu Commissiona, Paavo Jarvi, Haermann Michael, Stefan Sandering, Alan Gilbert, Tandeuz Strugala, Gurer Aykal, David Lockington, Andre Raphael Smith, and Enrique Batiz. Her recital credits are also numerous: Ravinia Rising Stars Series, St. Louis Great Artist Series, La Jolla Discovery Series, and Aspen Winter Series. During the 1998-2003 seasons, under the auspices of Columbia Artists Community Concerts, Yoon and her sister, pianist Min Kwon, undertook extensive tours of joint recitals and master classes across the US. Yoon Kwon is also a frequent performer at summer festivals, including Marlboro, Aspen, Santa Fe, La Jolla, Tanglewood, Vancouver, Rome and Cassamagiore (Italy), Kuhmo (Finland), and Interlaken, Verbier (Switzerland), collaborating with such distinguished musicians as Andras Schiff, Pinchas Zukerman, Richard Stolzman, Midori, Felix Galimir, Cho-Liang Lin, Robert McDuffie, Daniel Blumenthal, Carter Brey, and members of the Guarneri, Juilliard, and Emerson string quartets. Yoon Kwon released her debut CD on the BMG/RCA Red Seal label in Korea in 1997 to critical acclaim, becoming the first Korean artist to record for the label. She has also recorded You and Me, an album of solo and duo works with pianist Min Kwon, Anthony Newman’s Sonata for Violin and Piano with the composer at the piano. She can be also heard on a jazz album entitled Phoenix on the Songlines label. Yoon Kwon’s captivating and passionate performances have been seen and heard by television and radio audiences worldwide. Ms Kwon has been a feature performer on CBS TV’s New Year’s Eve Peace Concert hosted by Maya Angelou, and broadcast from New York’s Cathedral of St. John the Divine. She has also been featured on NBC TV (USA), TV Stuttgart and WDR (Germany), KBS and SBS TV (Korea), and numerous FM stations across the US. A native of Seoul, Korea, Yoon Kwon began her musical studies at the age of three, studying the piano. At the age of six, she began studying the violin, and two years later was accepted into the Juilliard School, where she studied with the late Dorothy DeLay. In 1997, at the age of the 17, she was the youngest winner in the history of The Juilliard School Concerto Competition, resulting in her Avery Fisher Hall, Lincoln Center debut later that year. Ms. Kwon received her Bachelor and Master of Music degrees as well as the prestigious Artist Diploma from The Juilliard School where she studied with Dorothy DeLay, Hyo Kang, Cho-Liang Lin, and Donald Weilerstein. She was the recipient of the Avery Fisher Stradivarius on loan from The Juilliard School and Sennhouser Guarnerius del Gesu on loan from the Stradivari Society. She also enjoys teaching, and has taught at Columbia University’s Young Musicians Program, Kuhmo International Music Course in Finland, and as assistant to Cho-Liang Lin, at The Juilliard School.

January 31, 2010 – Cecilia Brauer, glass harmonica WOLFGANG AMADEUS MOZART (1756-1791) Adagio in C for Armonica, K. 617 January 31, 2010 – Cecilia Brauer, glass harmonica While visiting England in 1757, Benjamin Franklin attended a concert by a “wine glass organist.” Charmed by the ethereal tones that the performer drew from the rims of the crystal goblets, the ever creative Franklin imagined a mechanical instrument that would allow for greater technical fluency and a full range of chord voicing. His resulting invention, the “armonica, ” was later described by an Italian acquaintance, Alessandro Vietri: “I have been to see the Newton of electricity, the famous Franklin. He is a man of over fifty years of age. You know that by pressing and sliding a moistened finger over the edge of a glass a sound is produced. He has made the instrument on this principle. He has strung on a spindle, or common axis, as many glass bells as correspond to the pegs of a harpsichord, proportionately graduated. The spindle turns by means of the left foot, with a wheel, as the knife grinder does. At the same time one touches with the fingers, as one does a harpsichord, the bells which spin like wheels, after having first wet them slightly with a sponge. A melody comes out which goes to the heart.” Franklin’s musical invention became voguish during the 18th and 19th Centuries. European monarchs were captivated by the instrument, and major composers such as C.P.E. Bach, Gaetano Donizetti, Wolfgang Amadeus Mozart, and Camille Saint-Saëns contributed works to showcase its unique sonority. Mozart first encountered the instrument in the Vienna home of the famous German physician-astrologist Franz Mesmer, who incorporated its hallucinogenic strains into his displays of “Mesmerism.” In 1791 the 35-year-old Mozart attended a performance by the reigning armonica virtuosa of the day, Marianne Kirchgaessner. Blinded at the age of four by smallpox, she had learned the armonica as a child and had become a sensational performer on the instrument. A critic of the day wrote, “she plays with an unbelievable talent, full of gentle grace and feeling.” Mozart evidently concurred. So inspired was he by the performance that he composed for her the Adagio in C for solo armonica; the Adagio & Rondo in C for armonica, flute, oboe, viola, and cello; and he began to write a third work, a Fantasia in C for the same combination, but completed only the first 13 measures. Mozart’s two completed works for armonica ranked among the most popular works in Kirchgaessner’s repertoire. The four-minute Adagio, composed at the same time as The Magic Flute, perfectly captures the angelic essence of the armonica. Spiritually akin to the dignified chorales and marches that Mozart wrote for the Priests of Isis and Osiris, the Adagio blends innocence and simplicity with an aura of mystery and timeless wisdom. By Michael Parloff Return to Parlance Program Notes

2019-2020 SEASON Welcome to the 2019 — 2020 season of Parlance Chamber Concerts! On October 27 , our inaugural concert will showcase the dynamic Quartetto di Cremona , one of the most exciting chamber ensembles on the international stage. Recipients of the 2019 Franco Buitoni Award in recognition of their exceptional contribution to promoting Italian chamber music throughout the world, the ensemble’s program will feature string quartets by Verdi, Puccini, Boccherini, and Respighi . Our December 15 event will spotlight music from three of Igor Stravinsky ’s iconic theater works. Pianist Andrew Tyson will perform the dazzling Piano Suite from the 1911 ballet Petrushka . Tyson will then join violinist Benjamin Beilman for Stravinsky’s charming and witty Suite Italienne from the neoclassic 1919 ballet Pulcinella . The afternoon will culminate in a fully narrated, choreographed performance of Stravinsky’s seminal 1918 chamber theater work, The Soldier’s Tale . Seven superb musicians will join renowned actor-narrator Benjamin Luxon in the Faustian tale of a young soldier who makes a deal with the Devil. On January 19 , the celebrated English pianist Paul Lewis will perform music by Beethoven and Schubert . Internationally regarded as one of the most poetic artists of his generation, Lewis’s recital will feature three works by Beethoven, including the “Moonlight” Sonata in C# minor , and Schubert’s sublime Sonata in G Major , which Robert Schumann called “Schubert’s most perfect sonata in form and conception.” On February 16 , the luminous Metropolitan Opera soprano Ying Fang will collaborate with pianist Ken Noda . One of the Met’s fastest-rising young singers, Ying Fang has been called “a star in the making” by the New York Times. Her recital will include a selection of best-loved opera arias and songs by Händel, Mozart, Schubert, Bizet, and Rachmaninoff . On March 22 , America’s foremost organ virtuoso, Paul Jacobs , will celebrate Bach’s 335th birthday with a recital of towering masterpieces for The King of Instruments. The Grammy Award-winning organist will perform Bachian favorites including Sheep Safely Graze , the sparkling Trio Sonata in E minor , and the powerful C-minor Passacaglia and Fugue . On May 3 , two of today’s most scintillating young violinists, Paul Huang and Danbi Um , will join forces with the superb Finnish pianist Juho Pohjonen in an electrifying program of rarely performed masterpieces. The concert will include exhilarating works by Beethoven, Erich Wolfgang Korngold, Pablo Sarasate , and a specially commissioned trio by the award-winning young American composer Chris Rogerson . On June 6 and June 7 , the season will culminate with the triumphant return of the Pinchas Zukerman Trio . The star-studded ensemble will celebrate the 250th anniversary of Beethoven’s birth with a special weekend residency that will include a Saturday afternoon masterclass and two all-Beethoven concerts on Saturday evening and Sunday afternoon . Highlights will include performances of the “Spring” violin sonata, A-major cello sonata , and the “Ghost” and “Archduke” piano trios . Michael Parloff Programs and artists are subject to change 2019-2020 SEASON October 27, 2019 Il Quartetto Di Cremona An Italian Journey December 15, 2019 Stravinsky! Ballet & Theater Music January 19, 2020 Paul Lewis, piano Beethoven and Schubert February 16, 2020 Ying Fang, soprano Ken Noda, piano March 22, 2020 Paul Jacobs, organ Bach’s Birthday Concert May 3, 2020 Paul Huang & Danbi Um, violins Juho Pohjonen, piano June 6 & 7 2020 Pinchas Zukerman Trio All-Beethoven Weekend Residency Artist Roster Parlance Program Notes LOCATION At West Side Presbyterian Church 6 South Monroe Street Ridgewood, NJ 07450 For map and directions, click here . CONCERT AMENITIES Whee lchair Accessible Fr e e Parking for all concerts